by Grace Crawford

Images courtesy of Bay & Thomas Productions and 20th Century Fox.
9×16: “How Your Mother Met Me”
Sometimes, when writers want us to feel sympathy or camaraderie with their characters, they make said characters go through something negatively life-altering: embarrassment
, failure, loss. We can’t identify with characters when they’re happy all the time, which is why all our favourite stories start out well, get really awful, hit rock bottom, and then go back up to being great again.
If the situation is too unsubstantial or not sufficiently devastating, we won’t feel the emotions we’re supposed to feel. But if the situation is too severe, we can become angry with the writers, thinking, “I see how you’re trying to manipulate me, and it’s not going to work. I’m smarter than you. I’m not going to feel anything.” It’s a constant challenge we writers face: how to write a compelling story about an engaging character that doesn’t make the audience want to smash their own faces in with a hammer.
Say what you will about this week’s How I Met Your Mother, but I think the writers, flawed as they’ve been in the past, succeeded in that goal.
Continue reading →