Fear leads to anger. Anger leads to hate. Hate leads to suffering. And I love watching people suffer.
by Thom Yee

The Hateful Eight images courtesy of the Weinstein Company
I love Death Proof.
I don’t think I’ve ever heard anyone say that. Theatrically released as the second half of the Grindhouse double feature in 2007 and following Robert Rodriquez’s first part with Planet Terror (towards which I’m fairly indifferent), most people I’ve heard from don’t seem to care for Quentin Tarantino’s Death Proof, and when compared to the rest of his output, the tale of misandrist women, the men who want to sleep with them, and the stunt men who want to kill them stands out like a sore thumb. In a bad way.
But I love Death Proof. Continue reading

When you break superheroes down to their base concepts, the one thing that probably draws us all to them is their superpowers. For all of its apparent faults, my favourite moment in Avengers: Age of Ultron is when all of the Vision, the Thor, and Iron Man combine their individual energy blasts to take down Ultron. It’s one of those glorious, everyone-gang-up-on-the impossible-threat moments (à la George Perez) that really made me love that movie, but like any other story, a good superhero story needs at least a little more complexity than “People! With powers!” On television, though, most shows have had a problem even getting that first part right. 


