Mission: Impossible — Rogue Nation

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You’re getting old, Ethan Hunt

by Thom Yee

Mission: Impossible — Ghost Protocol images courtesy of Paramount Pictures.

Mission: Impossible — Rogue Nation images courtesy of Paramount Pictures.

It feels like it’s been a while since Tom Cruise has done anything all that weird, and by now, even the most ardent KSW-questioning, couch-preservationing, short-person-hating, parents-should-spend-time-with-their-kids-believing critics should be able to admit that he’s made some pretty solid movies lately. And what more can we ask for than that? I don’t go to a Tom Cruise movie to watch him defend Scientology or explain why his last marriage didn’t work, that’s not why I go to movies and those subjects aren’t all that interesting even outside of movies. I go to movies to watch something entertaining and hopefully engaging, and in that way Tom Cruise continues to be the perfect action movie star.

The perfect 53-year-old action movie star. Continue reading

Ant-Man review

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Some ants may have died in the production of this movie

by Thom Yee

Ant-Man images courtesy of Walt Disney Studios Motion Pictures

Ant-Man images courtesy of Walt Disney Studios Motion Pictures

One of the things that’s really helped to make a regularly updated movie review website a sustainable endeavour over the last three years here at GOO Reviews has been the rapid proliferation of superhero movies. They’ve consistently been some of the leading tentpole movies of their respective seasons and years of release, they’re easy to schedule reviews around, and, frankly, they’re easy to write about. As a lifelong comicbook nerd and as someone who usually finds more to believe in from these fictional heroes than from anyone in our non-fictional world, I always get a kick out of watching them, and it’s usually easy for me to find something new to say about them.

On the other hand, Ant-Man is coming out at what may be a crossroads for the superhero movie in general. After almost ten years of consistent critical and box office success, there’s been an undeniable and growing shift in recent viewer preferences away from the format as it stands today. It started with low rumblings as people started to gripe about how sick they were of origin movies, it’s continued through a vocal recognition of how formulaic and unremarkable superhero movies are becoming, and right now I think it’s a movement spearheaded by some of the outright animosity Avengers: Age of Ultron has received from critics, the general movie-going public, and even some underwhelmed former fans. Continue reading

Batman v Superman trailer reaction and an announcement

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by Thom Yee

So first of all, some site news — GOO Reviews is going on hiatus for retooling.

We’re looking at a website redesign (don’t worry, we still don’t know enough coding to go beyond just picking a different template), a change in our grading scale, some structural alterations to our review format, and a bunch of other improvements we haven’t really thought through because we’re such big fans of overpromising and underdelivering.

We’ll be back in August, but in the meantime, here’s my reaction to the just-released Batman v Superman: Dawn of Justice Comic-Con trailer.   Continue reading

Back to the Future

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Say hi to your mom for me

by Thom Yee

Images courtesy of Universal Pictures.

Images courtesy of Universal Pictures.

It’s the thirtieth anniversary of Back to the Future!

That’s a big deal.

Really.

It is.

It was July 3, 1985 when Back to the Future first hit theatres, literally just over thirty years ago, and not only does that mean we’ve finally reached the year its sequel travelled forward to, with its flying cars and hoverboards and rehydrated pizzas, it also means that we’ve travelled as far forward in time since its release as Marty McFly travelled back in time to 1955 to ensure his own existence and re-emergence into an improved 1985 timeline.

Is that important? Does that mean anything? Did that sentence even make any real sense? It doesn’t matter. I don’t, uh… I’m gonna start over. Continue reading

Inside Out

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by Grace Crawford

Images courtesy of Pixar and Walt Disney Pictures.

Images courtesy of Pixar and Walt Disney Pictures.

To varying degrees, we’re all creatures of emotion. When I was younger I believed I had more right than anyone else to have emotions, and, more specifically, to channel those emotions in whatever way I saw fit. After all, what did the other kids in my class know about loss? What did they know about feeling unloved or unwanted?

In my young and narrow mind, I believed they knew nothing. And as other children do, I even went so far as to believe that I was the only one in the world, that no one else had feelings, that only I could experience the world as I did. I lacked empathy, or the basic understanding of others’ emotions and the will to feel the same way.

Empathy, as with most things, came as I grew older and as I learned that others did, in fact, have the same association with loss and rejection as I did. So did the ability to understand my emotions and the reasons behind them. It was no longer enough just to feel sad or angry: I had to know why I felt the way I did, which led to understanding, which led to (hopefully) not taking those emotions out on others.

But when I was a child, with emotions so much fuller and so much more untameable, this maturity was beyond my grasp. All I knew was that I felt angry, or fearful, or happy, and I didn’t know how to keep my emotions inside where adults told me they belonged. So instead of keeping it all bottled up, I let the inside out.

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Game of Thrones: Season 5

by Grace Crawford

Images courtesy of HBO.

Images courtesy of HBO.

Life has a habit of challenging us. It’s never easy or complacent; if it is, you aren’t doing it right. It likes to throw curveballs, to wrench up the works, to lay waste to all your carefully laid plans. And every so often, those complications bring us to the edge of a precipice: a place where your plans hold no weight and you have no idea what’s going to happen next.

Season 5 of Game of Thrones was one of those complications. And in true GoT fashion, it threw quite a few wrenches at its characters as well. (Goodness, I’m mixing metaphors.) So let’s dive right into my post-season review, which will gloss over a lot of the particulars in favour of some larger examination.

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Ex Machina

Fell in love with a girl robot. Again.

by Thom Yee

Images courtesy of A24

Images courtesy of A24

You suck.

You’re awful.

You’re just too slow.

You can’t do complex math in your head (if at all). You wouldn’t recognize a micro expression if your life counted on it (and believe me, it does). You probably can’t even remember your best friend’s phone number (even though you text them all the time, I would know).

Your brain is small and easily damaged. It doesn’t even have a connection to the Internet. It can’t be easily modified or upgraded. Or moved to a different body.

Continue reading