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GOO Reviews

~ An Edmonton-based movie blog

GOO Reviews

Author Archives: Thom Yee

GR Dailies: The Walking Dead – The Distance

23 Monday Feb 2015

Posted by Thom Yee in Television

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Tags

comics, Horror, Walking Dead, Zombies

by Thom Yee

Images courtesy of AMC and Fox International Channels.

Images courtesy of AMC and Fox International Channels.

5×11: “The Distance”

For a long time now, The Walking Dead has had a huge problem with developing a certain type of character — voices of dissent. From Dale to Andrea to Tyreese, anyone who might have had a valid opposing point and who was clearly operating as the group’s conscience in the face of unrelenting death and violence invariably ended up becoming incredibly annoying even as our heroes slowly became the monsters others should fear. It’s a change perhaps best highlighted early this season with the group’s massacre of the remaining Terminites, but one that’s been been glimpsed as early as season two’s “Nebraska” when Rick shot Dave and Tony in that bar. Right or wrong, our surviving group members have moved further and further away from the virtuous beings they would rather be and have, by now, gone pretty far down the path of straight-up murder as first resort, mostly because the Dale’s and Andrea’s and Tyreese’s tend to die out, and with them their morality. Continue reading →

Kingsman: The Secret Service

21 Saturday Feb 2015

Posted by Thom Yee in Films

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Tags

Action, Brit, Comedy, comics, Spy

Their Upper Lips Are Stiffer than Yours

by Thom Yee

Kingsman images courtesy of 20th Century Fox.

Kingsman images courtesy of 20th Century Fox.

Everybody wants to believe they’re something special. That there’s more to them, another level, that they’re just one opportunity away. And you know what? People — all people — are special. But let’s not mistake special for good. People are special, like Kristen Stewart is special, like Toyota Corollas are special. People are special like Fresca is special, but that doesn’t mean they’re useful or desirable. And besides, the world isn’t really looking for special. The world is looking for valuable. The world is looking for relevant. The world isn’t looking for more of your CO2 emissions.

There’s a specificity in the application of who and what is special that’s both heartening and just as often chilling in Kingsman: The Secret Service, even if it’s a specificity that the film never really takes time to consider.

Continue reading →

GR Dailies: The Walking Dead – Them

16 Monday Feb 2015

Posted by Thom Yee in Television

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Tags

comics, Horror, Walking Dead, Zombies

by Thom Yee

Images courtesy of AMC and Fox International Channels.

Images courtesy of AMC and Fox International Channels.

5×10: “Them”

The very first point I ever made in assessing The Walking Dead on a weekly basis (and by extension heavily serialized fiction in general) concerned whether or not you can skip an episode and not miss anything. Especially with a show where the season’s aren’t stretched to fill out more than twenty weeks of television, it’s important (and should be a given) that every episode is vital in achieving the season’s goals. The first half of season five, which has been widely praised as a fairly drastic improvement over previous seasons, is a strong example of this as each episode had an important role in moving the needle forward in our hero’s quest for post-zombie apocalypse existence, and I’ll admit that even episodes that I didn’t like at least informed us on what’s going on or what we’re supposed to be feeling.

I’m going to say upfront that you may as well have skipped “Them”. Continue reading →

GR Dailies: The Walking Dead – What Happened and What’s Going On

09 Monday Feb 2015

Posted by Thom Yee in Television

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Tags

comics, Horror, Walking Dead, Zombies

by Thom Yee

Images courtesy of AMC and Fox International Channels.

Images courtesy of AMC and Fox International Channels.

5×09: “What Happened and What’s Going On”

Under normal circumstances during a zombie apocalypse, you’d be pretty happy if not thrilled to run across a guy like Tyreese in the midst of your struggles. He’s big, he’s strong, doesn’t seem particularly opinionated; he’ll be good in a fight, he’ll be useful. If there’s one thing your group probably doesn’t need through said apocalypse though, it’s another moral centre, whether it’s the quiet religious guy who slowly goes crazy or the seemingly strong character who basically acts like a freshly neutered Rottweiler until his untimely demise. For a little while, this show actually had both.

So welcome back to our Walking Dead season five coverage, and doesn’t it feel like a lifetime ago that we last met here? Continue reading →

The Grand Budapest Hotel

07 Saturday Feb 2015

Posted by Thom Yee in Films

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Who’s got the throat-slitter?

by Thom Yee

The Grand Budapest Hotel images courtesy of Fox Searchlight Pictures

The Grand Budapest Hotel images courtesy of Fox Searchlight Pictures

I’ve been writing reviews for long enough now that it’s one of the things I’ve become associated with amongst my circles of friends, family and confidantes, and so sometimes they’ll ask me what movie they should see. To which I, of course, recoil in shock, disbelief and horror, with the reply, “… You mean you’re not reading my reviews? You mean you’re not… keeping up with what I’m doing?!! You mean… you’re not… respecting… my work?!!!!” After a good… oh, forty minutes or so, of yelling and screaming and crying and accusing and bringing back old grudges — drama — things usually settle down, apologies are exchanged, and I get down to the dense and dangerous, blood red game of… uh, talking about movies I like.

If you ever asked me to recommend a movie for any occasion, any occasion at all, I would probably never recommend a Wes Anderson movie. Continue reading →

Whiplash

24 Saturday Jan 2015

Posted by Thom Yee in Films

≈ 1 Comment

There are no two words in the English language more harmful than whiplash. Wait, that’s one word.

by Thom Yee

Whiplash Images courtesy of Sony Pictures Classics

Whiplash Images courtesy of Sony Pictures Classics

I think I’ve only seen two movies where jazz is a significant element.

The first is Hard-Boiled, the last (and last truly good) John Woo Hong Kong action movie about two cops, one of whom is undercover, trying to bring down a criminal triad.

The movie features Chow Yun Fat’s Inspector Tequila, the main character, playing jazz flute in what is no doubt the coolest opening scene of any movie ever made, ever, ever, ever.

Continue reading →

Thom’s 2014

10 Saturday Jan 2015

Posted by Thom Yee in Editorials

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Year-End Review

“Hey.”

As I look back on the year that’s passed, I remember 2014 as the year that got away. Maybe a year that never truly arrived. A year typified if not consumed by betrayal and treason and murder in the nights and days of our discontent(s). A year of modest beginnings, false starts, and the hollow hopes of misinformed adventure. A year of paralysis and failure in direct spite of foolish hopes and inexplicable dreams. A year best left forgotten.

But then… that’s usually how I remember every year.

From a cultural perspective — by which I mean movies, not like, art or symphonies or anything like that — 2014 marked several turning points, including possibly the two best Marvel Studios movies of all time, hopefully the final Peter-Jackson-helmed piece of Tolkien lore, the first time America got Godzilla anywhere near right, and the triumphant return of the X-Men to theatres, in between bouts of profundity (Interstellar), pain (The Amazing Spider-Man 2), achievement (Boyhood) and intense malaise (Teenage Mutant Ninja Turtles).

And none of it met my expectations. Continue reading →

Quick Hits 2014

13 Saturday Dec 2014

Posted by Thom Yee in Films

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reviews by Thom Yee

Sometimes we run out of time for a full review, sometimes release dates don’t fit into our schedule, and sometimes we just don’t have much to say about the things we’ve just watched. Here are some quick reviews of some of 2014’s bigger – but not big enough – movies.

 

Boyhood

Boyhood images courtesy of IFC Films

Boyhood images courtesy of IFC Films

In many ways a towering achievement in filmmaking and in many more ways a simple, straightforward film about growing up, Boyhood is a strong work from every reasonable perspective, but is obviously most notable for its production schedule. Shot over the course of twelve (12!) years, the ambition of Richard Linklater’s Boyhood is almost staggering, particularly considering that the key figures in the movie’s production were far from stagnant in the intervening time — director Linklater delivered prolific work, including mainstream hits like School of Rock and the final two installments in his romantic drama series, Before Sunset and Before Midnight; Ethan Hawke, who plays the father in Boyhood, starred in more than twenty movies (even if nobody actually saw them); and even Ellar Coltrane, the boy himself, had roles in several other films throughout the teen years that formed the basis of his onscreen time in this film. It’s the sheer audacity of the concept combined with coherent storytelling that makes Boyhood one of the most notable movies of 2014.

Continue reading →

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